Download Mobi And Now You're Back: The most heart-warming and romantic read of 2021! By Jill Mansell

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And Now You're Back: The most heart-warming and romantic read of 2021!-Jill Mansell

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Ebook About
'A fabulous, gorgeous read, with characters you'll take to your heart' MILLY JOHNSON'I loved the characters and relationships and found myself rooting for everyone. It left me with a lovely warm glow' LIBBY PAGE'Such a joyful read and hugely entertaining . . . Readers are in for a real treat' RUTH HOGANOne magical night in Venice, Didi fell in love. But it ended - and he left without even saying goodbye.Now, thirteen years on, Shay Mason is back.The old spark is still there, but Didi's determined to ignore it. As manager of a stunning Cotswolds hotel, she's happy at last, and soon to be married. Anyway, Shay isn't staying. He's made a promise to his father. He's going to keep it. And then he'll be gone.But Shay's return stirs up long-forgotten emotions, and the scandal that led him to leave raises its head once again. It's time for buried secrets to come to light. And it seems that this was someone's intention all along . . .A fabulous novel about love, friendship and finding the way to your best life.* Jill Mansell's new novel, SHOULD I TELL YOU?, is available for pre-order now*YOUR FAVOURITE WRITERS LOVE JILL MANSELL'Reading Jill is always such a joy' VERONICA HENRY'Gripping and incredibly comforting' MARIAN KEYES'One of my favourite writers' KATIE FFORDE'Like a little blast of sunshine - uplifting, heartwarming and supremely feelgood' SOPHIE KINSELLA'Jill Mansell is the queen of witty, heart-warming, feel-good love stories' RED

Book And Now You're Back: The most heart-warming and romantic read of 2021! Review :



I adore Jill Mansell books. They're frothy fun, hilarious to read and full of lovable characters. I haven't read them all, but I've read enough to know the formula she works with. It's a predictable one but it tends to work. Sure, she hasn't hit every book out of the park, but a lot of them have been a really good romp when I'm in the need for a light piece of feel-good fluff. I've read some of her books several times over for that factor alone.With "And now you're back", I'm starting to feel that Jill Mansell is getting bored of her own work.Don't get me wrong, it's not the first work she's pumped out that felt that way, but this had to be the most recycled piece she's done. It read like a book generated from an auto-generator that had previous works of hers input. Or like a ghostwriter taking her bits and bobs and putting it together to recreate a work of Jill Mansell's.High school sweethearts that met an unfortunate and early end to their relationship, meeting up again? I read that with Lola and Doug, and Lara and Flynn. Hotel management and finicky guests with weddings? Working in a hotel in Staying with Daisy's was far more engaging to read about. A sudden appearance of a celebrity who's beautiful, quirky and seductive? I remember Guy meeting Valentine. Pretending to be in a relationship still when you're not? Ellie did it twice with Joe and Todd, and Daisy did it with Josh. Falling in love with your unlikely driving instructor? Speaking of Josh, he did that for Tara.Even if you're recycling a tried and true set of tropes, there is a need to payoff what's set up appropriately, and yet this book had no soul in that. Every setup, such as Rosa and Benny, Benny and Ingrid, the incident with the burglary, Maury and the necklace, Aaron and Didi... Everything was resolved in the most tepid and mellow way possible. Possibly the only sparky, fun payoff was with Red, the security box and the secret book of Harry, but even that lasted only a few scenes that weren't quite enough to offset the ongoing sense that not much was at stake. Indeed, nothing ever got very dramatic or far enough. Red dying was sad but his death scene was skipped over, obviously seen to be unnecessary to depict, but I remember how strong Stella's death scene was and I know the author is capable of writing powerfully intense scenes like that and feel a bit like we missed something. Aaron took the breakup so unbelievably well it's hard to believe it was an issue at all. What we get is a general feeling of a wet fuse the whole way through because honestly, what was stopping Shay and Didi besides some bad timing? There needed to be more at stake than pride but as there wasn't, we got manufactured drama in the form of Caz who also fizzled out of the scene like a convenient dud of a firework. I didn't buy at all that she'd warm up to Didi that much that fast, so it felt like incredibly rushed writing. I'm familiar enough with this author's work to know she's rushed bits before, tying up loose ends in ridiculously swift and convenient ways, but this book felt worse off for it due to all its other shortcomings in tandem.I wasn't even very disappointed with this book, as I went into it with low expectations. After all, this author has written SO MUCH; we have to cut her some slack. But even then, I came away with a lukewarm, meh feeling. The feel-good factor just didn't register as strongly because I could just feel how tired Jill Mansell must be of writing this genre of fluff, so tired she can't even be bothered to come up with new material.Knowing what she's capable of, it is my sincere hope that Jill Mansell makes her next book something she feels excited to write about.
I have read many of Jill Mansell's novels and this is one of many I have really liked. I don't agree with some reviewers that it feels recycled from previous books. To me it felt fresh and interesting. Why? It is one of those books that quietly drew me in and before I knew it, I turned the last page, the bubble popped and I realized that I had read it in one sitting and it was suddenly 2am. I suspended disbelief because it wasn't trying too hard to be hip, clever and unrealistically "original". There are few romance/chicklit books that hold me that captive anymore because I've read so many of them. Her style isn't flashy: there is no coy "meet-cute", no extraneous and unnecessary detailed description of what people are wearing or eating, it doesn't rely on trite and banal "witty" banter, she doesn't beat the reader over the head with word-count-increasing extraneous repetition and she isn't trying to impress me with arcane "literary" vocabulary and precious prose, and finally she doesn't fill the story with steamy sex scenes that I usually skip over because they are often cliché. She knows how to tell a story well and to create and develop interesting characters, and everything she puts on paper serves to advance the story. Few writers of this genre do this well (especially many American writers). Of course the ending is the HEA that one expects from a romance, and she does deliver on the romantic angst along the way. I would call it a slow-burn second-chance plot, which is my favorite. I do get tired of this genre making everybody insanely rich and movie-star gorgeous, but this book isn't too heavy with that. I get that it is fantasy, but normal people can be interesting too. Having said all that, I feel good giving this book 5 stars, thank you Jill for another wonderful read.

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